The Deconstruction Of Humorous Fiction In A Reactionary Postmodern World, Or From Chaos To Conformity: How To Write The Comedic Novel When I was a graduate student at the University of Gussberry-on-Hornsplat reading for my doctorate in “Humor and Humorlessness in Nineteenth and Twentieth Century Proto-European Monographs,” my professors often referred to a theory they loosely called “The Banana Peel Slide.”  This meme postulated that a humorous trope—such as the man-falling-on-banana-peel— loses its ability to trigger amusement after it becomes part of the greater eco-social-spiritual consciousness, leading to a revolt by sophisticated elites against populist humor grounded in laughing at another’s misfortune, and eventually coming round to popularity again throughout the entire societal continuum when the joke takes on a wry postmodern irony encapsulating the laughing-at-the-laughter-of-those-who-laugh at such simplistic slapstick (See I.M. Gully-Bull, “They’re Laughing With Me, Not At Me, an essay on the struggles of a stand-up comic in the world of spelunking,” Psychiatric Journal of the Criminal Mind, Jan. 09, 43-57). In other words, slipping on a banana peel was HIGH-LAIR-EE-YUS when first viewed by Cro-Magnon Man until his momma rapped him on the knuckles for laughing at another Cro-Mag hurting himself, and then became funny again when Momma…