Research for writing a novel is like opening a message in a bottle. Of course, all the material isn’t nicely folded up containing everything you wish to know about the subject, but each new piece is a surprise nugget adding to the richness of your story. I became interested in writing about Edgar Degas after I bought a travel guide to New Orleans as I was considering re-visiting the city. I had attended college there and had only returned once in the intervening years. I needed to know about places to stay and which favorite places were still around. I’d no idea while I was in college that Degas had spent five months visiting his Creole relatives there in 1872-73, and I was intrigued by the discovery. From there I began my research. Much has been written about Degas the artist and some historical novels have been written about his life, but I couldn’t find any that related to his time in New Orleans when he was thirty-eight and not yet famous. So I had the good start for a story: you need a protagonist or main character who’s in trouble, someone who wants something badly. With historical fiction writer’s…

Content Warning: detailed depiction of physical abuse/assault.  *** Prologue Caroline Martin stared up at the ceiling tiles, small and square with tiny black holes that evoked an image of pepper jack cheese. Some were stained from leaky pipes that created ghostly formations of gray outlined in black above her head. The room was cold, and she began to shiver. One of the OR nurses noticed and covered her with another preheated hospital blanket, tucking it in under her chin and over her shoulders. “Thank you,” Caroline said through clenched teeth. She couldn’t move because they had already strapped her down to the operating table at her arms and just below her breasts. They left her legs free, covered with socks and leg warmers, as they would soon be placing her calves in stirrups. At least they had the decency to wait until she was completely under first. But after that, she was certain there would be no concern for her modesty. The pill they had given her fifteen minutes earlier began to take effect. Background noises blended together in a smothered cacophony, and only when someone got up close in her face was she able to focus. Even so, it…

Welcome back to Fresh Fiction! Can you tell us a little bit about yourself, and your book, MOON WATER?  Hi! Many thanks to Fresh Fiction for the warm welcome. Career-wise, I’m a family nurse practitioner and a long-time nursing educator. In 2015, I switched from writing nursing research articles and texts to writing novels. Creating meaningful historical fiction is the more difficult yet most rewarding writing I’ve ever done. It is an art form that requires a significant amount of time and skill to develop, especially if you want to write literary fiction. While completing my first novel, The Wiregrass, I knew I had a good story, but needed help with designing the infrastructure supporting the story. Consequently, I began taking creative writing classes with a New York Times bestselling author. The classes were difficult but incredibly valuable.  Hopefully, what I learned is evident in Moon Water, a stand-alone sequel to The Wiregrass. Interestingly, the classes also made me a more astute reader of fiction as well. In Moon Water, the protagonist, sixteen-year-old Nettie, comes home to the Blue Ridge Mountains of Virginia and gets hit with sucker punches coming from all directions. Her boyfriend since grade school wants to…