Fresh FIction Box Not To Miss
Christopher Krovatin | Five Questions to Ask Yourself While Writing Paranormal Fiction
Author Guest / October 11, 2018

Writing my latest novel, FREQUENCY, was a blast. The book is a YA retelling of the Pied Piper fairy tale that’s steeped in music—hard rock and EDM, primarily—so it gave me a chance to get weird and imaginative with how different forms of music affect different people in a supernatural way (plus, any chance to reference Motörhead in a novel is a gift from the universe). But one obstacle I kept encountering is that paranormal stuff allows for laziness. How does the hero escape the clutches of the villain? Magic! How does the villain know about the well-laid scheme against them? Werewolf! You get the idea. All these tricks are easy and played out, and as a reader, I hate books where paranormal elements were conveniently placed because the author obviously wanted to knock off early for lunch. So if you’re writing paranormal literature, here are a few questions to ask yourself to keep your writing challenging, entertaining, and grounded in just enough in reality to create real conflict. 1. “What if there was no magic?” The most important question. Back when I was brainstorming worlds for a sci-fi publishing imprint, I had a colleague who asked this all the…

Pintip Dunn | The Top 10 reasons Why You’ll Love Star-Crossed
Author Guest , Top 5 / October 4, 2018

10. The world. The planet Dion is absolutely breathtaking! Although my characters are confined to a small piece of land protected by energy shields (the result of a terraforming experiment gone wrong), the outside planet is characterized by brilliantly colored streams of water. As Vela says, “If a nebula broke off and fell into the water, this is what it would look like.” In addition, when the rain falls on the energy shields, the water explodes into different colors depending on the weight of the drop. 9. The food. Land is scarce, so there’s not enough food to feed the colony. Enter the Aegis, who have accepted a genetic modification so that they may convert food into energy more efficiently. The nutrition is then extracted from them via a pill and distributed to the rest of the people. However, when eating becomes your duty, and you must imbibe food all day long, it is no longer pleasurable. Thus, the food preppers’ task is to produce the must luscious, mouth-watering spreads possible, in order to entice the Aegis into taking one more bite.  8. The sacrifice. An Aegis may get to experience the taste of real food, and they have the…

Christine and Ethan Rose | YA Fantasy: It’s Not Just for Kids
Uncategorized / December 16, 2008

As we tour around the country signing our book, Rowan of the Wood, we are frequently asked this question: “What age group is your book written for?” It’s a very difficult question to answer because we write for young readers of all ages. The content is appropriate for younger readers but it’s enjoyed by young and old, alike. I learned to read at the age of six. A year later, I read Gulliver’s Travels. By the time I was ten I was reading Frank Herbert‘s Dune, and now, at the age of 40, I consider Tove Jansson‘s Moomin books some of the best ever written. I read nearly as many young adult books as anything else. Many of the books I read in childhood were not fully understood by my younger self, but I enjoyed them anyway. They also helped me get a jump start on many difficult subjects that I would have to wrestle later in life. The mind of a child is much more curious and agile than that of an adult, as well as being infinitely more creative. It should be fed to the limit of its capacity. Good stories, well written and enthralling, are a great…

Margo Candela | Little Darlings
Uncategorized / September 22, 2008

I spent most of my spring and all of my summer finishing my fourth novel, How Can I Tell You? (Touchstone, August ’09). Hours blurred into days which turned into weeks which…well, you get the idea. The only thing I really remember about this time is asking myself every morning as I sat down and every night as I curled up into a fetal position in bed was, “How the heck did I manage do it the last three times?” You’d think that I’d have some sort of idea of how to write a book by now. I’ve even taught a course on it. True, I have the basics down, but somewhere in the midst of the process, I always find myself scrambling. The worst thing I can ask myself is: What am I doing? Nothing derails a productive, if not creative day, in front of the computer more than self-doubt, self-pity and all those other wonderful little demons that run rampant when the mind is looking for reasons to shut down and take the body to the movies. This time, around late May and early June, I abstained from playing hooky and instead invested in books on plot and…

Christina Meldrum | When a Plot and Its Characters Collide
Uncategorized / June 16, 2008

How does a writer create a story with a compelling plot AND compelling characters? This was a question I asked myself throughout my writing of Madapple (Knopf), my debut novel. Released last month, Madapple is a crossover novel intended for older teens and adults. Part literary mystery, part psychological thriller, I knew the success of Madapple would depend at least in part on my ability to devise a page-turning plot acted out by well-developed characters. I expected this would be difficult, because often novels provide either an intricate plot or complex, richly developed characters. Rarely does a novel provide both. But why? But why? As I was writing, I quickly realized why. An intricate plot makes demands on its characters, requiring them to act according to its mandates, which may well be inconsistent with what turns out to be any given character’s inclinations. I’m referring to characters as if they are alive, I know—as if they have inclinations separate from an author’s intent. Well, I think they do sometimes: the characters of Madapple certainly did. As an author, I may have given birth to my characters but, like children, my characters seemed to have minds of their own. My plot…

Christina Meldrum | MADAPPLE: What is a “crossover” book?
Uncategorized / April 7, 2008

My first novel, MADAPPLE, is coming out this May from Alfred A. Knopf. The publisher sent out advance copies of MADAPPLE to book buyers and reviewers. A surprisingly large number of these readers have asked me: “Why is this a teen book?” “Did you write it for teens?” “Shouldn’t the book be categorized as adult fiction?” Truth be told, I didn’t write MADAPPLE for a specific audience. I just wrote the book I wanted to write. My editor sees MADAPPLE as a “crossover” book—that is, a book that spans the genres of adult literary fiction and young adult (“YA”). Yet, because of the way the publishing industry works, the book must be categorized as one genre or the other. Hence, it is being marketed as YA with the hope that it will reach adults as well. When I was a teenager, J.D. Salinger, Fyodor Dostoyevsky, Hermann Hesse, Harper Lee and Sylvia Plath were among my favorite authors. I was captivated by the antics of Harper Lee’s Scout. I identified with Salinger’s Franny. Were these authors thought of as YA authors? No. Yet, today, I think some of their books certainly would be categorized as YA. The question: Does it matter?…

Matthew Peterson | Life after Harry Potter
Uncategorized / January 14, 2008

I’ve been talking on the radio all morning long about my new young adult novel, Paraworld Zero… literally. 18 radio interviews, back-to-back. Just about all of the interviewers had one question in common, so I’ll address that topic, which is… drum roll, please. Now that Harry Potter is over (and even that is questionable) how do we get young adults to keep reading? Being a father of five boys–all of whom enjoy fighting with light sabers on a daily basis–I have my work cut out for me. After watching my book’s video trailer on my website (http://www.paraworlds.com/) a dozen times yesterday, my oldest son said he couldn’t wait for me to put the rest of my book into a movie, so that he wouldn’t have to read it. He’s only eight-years old, so it’s understandable that he’s not into reading just quite yet, but his comment made me realize that I’m going to have to work harder at helping him to enjoy reading. The first step is to understand your child’s interests. I have boys who can’t get enough fantasy and science fiction in their lives. They breath it in like air. So I naturally need to pick some shorter…

Melissa Walker | Violet on the Runway
Uncategorized / December 18, 2007

I’ve always been stuck in my teen years—and I love it. I’ll admit it: I loved high school. Okay, I didn’t love getting up at 7am for Chorus class or the emotional drama of liking the same guy as my BFF, but I did love my friends—still do—and I have lots of good memories. Please don’t hold it against me. Fast-forward college writing classes, and I found that I was still focusing on high school love, the most intense emotion I’d ever felt. 22-year-old crushes seemed more practical, more attainable—and somehow not as searing or sweet. Teen magazines became a way for me to re-live those years, and as I worked as an editor at ELLEgirl, I interviewed teenage actors, musicians and real girls who were doing amazing things. I felt so close to 17 again that I couldn’t believe they actually paid me! That’s why getting into the head of Violet, the main character in Violet on the Runway, was pure fun. I wanted to write about a real girl from a small town, one who had real insecurities and flaws, one who would go into this crazy, dark, beautiful world of fashion unsure of herself and come out…

Melissa Marr | Secret Passages & Mirrors? Not So Much.
Uncategorized / December 11, 2007

As a writer, I’ve found the misconceptions about writing fascinating. Now, as a rule, I don’t tell people what I do, but somehow or another it almost always eventually comes out–at which point there are several typical responses. 1. “Who’d you know? You have to know someone to sell a book.”– This is utterly false. I wrote a book, researched agents, queried, wrote another book, queried some more, signed with an agent who shopped my book. Then I accepted an offer. There were no secret passageways, networking, muttered passwords, or any of those things. No tricks. Write, research, repeat as needed. It’s pretty straight-forward.2. “Who are you in the book?”– I’ve been astounded by how many people ask this. I write multiple points of view, so there are various guesses. Ash likes photography, so do I . . . so maybe she’s “me.” Hmm. I have friends who like photography too, but I’m not them either. Having an interest in common with a character isn’t being that character. Those commonalities help me write the characters, but each character has something of my beliefs or interests or ant-interest or anti-beliefs. It’s an exercise in adding veracity, not a mirror into the…

Caridad Ferrer | Fear of Booksignings?
Uncategorized / September 7, 2007

You want me to do what? Or, a nervous author faces her first solo booksignings. Let me preface this by saying, I am an inherently shy person. Those of you who know me personally… Shut. Up. And quit laughing. It’s true. I am painfully shy and always have been. It just manifests itself in weird ways. See, if I’m introduced to someone first, I’m okay. I can talk about any subject under the sun. If I’m part of a small group, you’d be hard pressed to shut me up, really. Tell me I have to walk into a room full of strangers and introduce myself, you’ll find me over in the corner in a fetal position clutching my blanky. This is, essentially, what a booksigning feels like to me. Add that to the horror stories I’ve heard about authors sitting at a table and the only people who talk to them are the folks looking for the bathroom and mix in a healthy dose of overactive writer imagination and you can figure that sleep’s been pretty hard to come by lately.Now, I’m not a complete booksigning neophyte—I’ve done the RWA literacy signings and various other group signings and I love…