I’ve always had a fascination for the macabre, so I suppose my foray from romantic suspense into what I call ‘creepy, southern thrillers’ was a natural (or unnatural!) progression for me. I grew up in the foothills of the Ozarks, an area steeped in legend and folklore, and the stories I heard as a kid still give me goose bumps to this day. That same sort of breathless, shivery dread is what I hope to evoke with my own stories. My latest thriller, The Devil’s Footprints, was inspired by one of those old legend. On the morning of February 8, 1855, the townsfolk of Devon, England, awakened to find a series of hoof-like marks in freshly fallen snow. The U-shaped tracks continued throughout the countryside for over a hundred miles, traversing over houses, rivers, and haystacks—even through stone walls—as though no barrier could stop them. Panic and paranoia ran rampant through the area, and armed with pitchforks and clubs, some of the townspeople set out to track down the beast responsible. Various newspapers, including The Times of London, covered the story extensively, and as a result, numerous theories soon evolved, the most bizarre being that Satan himself was roaming the…

I’m delighted to be part of the Fresh Fiction family and appreciate the opportunity to blog today. I write for Harlequin Superromance and The Berkley Publishing Group and have published 32 books, including the two coming this spring. My work is known for its emotional depth and complex plots, usually based in research. My next release, BE MY BABIES, out in March from Superromance, fits into those categories. It’s the story of Lily Wakefield, pregnant with twins, who’s escaping an abusive husband, and comes to Fairview, NY where her grandfather lives. There are so many twists and turns in this storyline that you’ll constantly be wondering what will happen next. I was. Yes, that’s right, most of the time as I wrote this book, the characters didn’t behave as I expected them to and I was left thinking, “Now what do I do?” Research is always fun for me. I’ve ridden fire trucks and ambulances, followed around a federal public defender for a day, interviewed the FBI, used my extensive teaching experiences, and talked to police officers and fire chiefs about my next story. For BE MY BABIES, I borrowed a baby from a former student of mine. At the…

Authors are constantly asked where they get their ideas from. It’s probably the most commonly asked question. And here in the UK and Ireland Mills & Boon (Harlequin’s UK division) is celebrating it’s Centenary, so we’re seeing a lot more press coverage – hence I’ve been asked this question about a half dozen times in the last week alone. One of the next things they asked was ‘Do you get your ideas from real life?’ to which I consistently answered with a burst of laughter and ‘I WISH!’ But that’s probably not the real answer. Because the initial spark of inspiration *does* come from real life and the things we see and hear around us every day; a song, a movie we hated the end of, the sight of two people talking in a street café, a photograph that captures a moment we want to know more about. And then a chain reaction begins. The who, what, when, where and why starts to find answers inside our heads – the part of our brain in charge of creativity rubbing its hands with glee and setting to work with gusto! (We hope…) For many it’s the best part of the job…

They say you should be wary of working with children and animals, but what about friends? This was a question I probably should have addressed when the Desire senior editor suggested a down-under continuity series back in 2006. I had worked on three continuity series before then, but each was an editor-led series. The overview of the series, the characters, the broad storylines were developed by the editors who invited the authors to participate. This series, however, was to be author-led. In other words, the development of the series from initial concept to completion would be in the hands of the six authors. The idea of collaborating on a project like this excited me. So much so, I jumped right aboard that train while yelling encouragement to the others to join me. “Come on,” I cajoled to those dragging their feet. “It’ll be fun! We’ll brainstorm and bounce off each others’ energy and we won’t have to work in isolation as we usually do. Plus developing a whole series arc will be brilliant!” Six strong-minded women who are used to operating in creative independence working together as a team… How would that work? Would we still remain friends after all…

Happy New Year, everyone! It’s great to be here so I can wish you all the very best for 2008. I’m thrilled to announce the release of 3 books in January and February.The first, Laying Down the Law, is particularly dear to my heart, because it tells the story of a young trainee barrister and her bad-boy American Italian pupil master, Lorenzo Domenico. I can’t deny this UK Modern Heat release was inspired by my daughter training to be a lawyer- but she now complains she never got to meet anyone remotely like Lorenzo! Bought: One Island, One Bride, is a Harlequin Presents release in February, and was inspired by my meeting a passionate environmentalist while I was holidaying in the Greek islands. It was impossible not to be inspired by the romantic promise of such a fabulous setting, and by the passion of Jamie, the young man who opened our eyes to the vulnerable eco-systems surrounding us. (I only hope Jamie hasn’t minded my changing him into my heroine, Ellie Mendoras!) My third book, The Tycoon’s Virgin Is a Harlequin Presents 2nd cycle release in February, which means it will be shelved near the Desire titles, and a little…

What sparks that excitement inside that urges you to write? Is it a news report, a TV show, a person, or a place? For my debut book, The Angel and the Outlaw, a historical romance, it was the setting that captured me and begged me to write. Growing up in San Diego, I often visited the Old Pt. Loma Lighthouse with my family. My imagination would take flight there, and I’d conjure up scenarios involving the cliffs, the tide, and the caves. As a child, the news reports of people stranded when the tide came in made me nervous enough to keep a close eye on each and every wave while exploring the tide pools (and have nightmares about tidal waves!) The stories of shipwrecks off the coast added even more adventure to the mix. The Old Pt. Loma Lighthouse was built in 1854. Through its 36 years of service the light keepers saw many of the things I mention in my book such as the community picnic. The light keeper, having a perfect view of the ocean, would hang a red flag on the railing when he spotted a pod of the California Gray whales migrating to alert the…

I grew up in a little town in northeastern Washington state, a place called Northport. My dad was, really and truly, the town marshal. I was raised on stories, told mostly by my adopted grandmother, Florence Wiley, about ‘old times’, when she lived on a farm outside of Coffeyville, Kansas. In my childhood, she was usually working at the wood-burning cook stove while she told her stories, and that stove has been in every western I’ve ever written, always in the same part of the kitchen. Later, when the uncles went together and bought her an electric model, she hated it, claiming it burned everything, and banished it. The black iron and chrome Kitchen Queen was soon back in residence.Her stories were great. Jesse James once slept in the family barn, and she clearly remembered the day the Dalton brothers tried to rob the bank in Coffeyville. The townspeople had gotten word that they were coming, and they were ready, on roof tops and between buildings, with rifles. The gang was annihilated–the shots were audible from the farm several miles outside of town–and later the bodies were displayed as a deterrent to budding outlaws. Grandma Wiley’s father was ahead of…

People are always asking, Where do you get your ideas? Oh honey, if they only knew! Here are some of my favorite idea generators. Eavesdropping. I do that a lot. It’s easy, fun, and good for getting those creative juices flowing. Also, when friends say something intriguing, I let them know that some day their story or clever word usage could end up in a book. Fictionalized of course, so that often they won’t recognize themselves. With strangers…. they’ll never know.Observation. People watching is such a kick. Even more fun is making up stories about those you watch. Why are they behaving that way? Who are the people they are with? I’ll bet even non-writers do this. TV, radio, music and the movies. I’ve been known to take a premise or a snippet of and run with it. The end results never look remotely like the show from which I drew my inspiration. Magazines and newspapers. Tons of great stuff there. Especially those advice columns and the stories of personal triumphs over bad situations. And of course, life itself. Something happens to me or a friend or relative, or a friend’s friend, and I get to thinking, What if? I’m…

What if and why are two of my favorite things to ask. I’m notorious for asking them in writing and in life. (I think I ask often enough I drive my husband a little nuts, to be honest). I’ve what if’d everything from the idea that we are really all just microscopic beings on the thumbnail of a giant (hey, I was twelve) to the slightly-obsessive emergency kit I packed for the drive through a snowstorm for a family emergency (hey, I’m a California girl… how was I supposed to know those flutters weren’t a storm? and we MIGHT have needed those empty tuna cans and tealight candles for heat… really, we might have). And I ask why more than an eight year old. Just ask my eight year old, she’ll tell you! A psychologist might refer to it as catastrophic thinking (taking what if to its highest degree of drama) but for a writer, it’s mighty handy. After all, the question of “what’s the worst thing that could happen” is what provides me with plot and conflict. Better yet, what if is what keeps the reader turning the pages. When I read a book, I’m always wondering, always asking…

Ahh, another day in the life of a romance novelist, spending long hours fantasizing about a lingering kiss–that all-important first kiss scene, to be exact. It’s a tough job, but if I need some assistance, I can always find a bit of inspiration on film.Clark Gable bidding Vivien Leigh farewell on a bridge outside Atlanta, Cary Grant and Eva Marie Saint seducing each other on a train–I love to sigh over kisses that hint about forever and last nearly as long. In Learning Curve, I splurged on an I-shouldn’t-be-doing-this-but-I-can’t-help-myself first kiss scene that spread across ten pages.Do I want to add a touch of go-for-broke passion to that first embrace? In Moonstruck, Nicolas Cage gets his message across when he upends the kitchen table before grabbing Cher. My hero in Maybe, Baby may not have knocked over the kitchen table, but he sweeps everything on it to the floor, pushes the heroine down on its surface, and sprawls over her before helping himself to a greedy gulp of a kiss. I love Bacall’s sass in To Have and Have Not when she kisses Bogart and then tells him, “It’s even better when you help.” Because my hero and heroine share…