Prologue, Pages 1–3 STRANGERS IN THE NIGHT, Copyright © 2023 by Heather Webb.   Every important moment of my life could be measured in notes and captured by a song. That was never truer than the first night I saw her across the room, belonging to someone else. As the brass finished and the lights went up, I stepped away from the mic. Cheers and whistles peppered the audience in the smoke-hazed room of the Hollywood Palladium. I mopped my brow and drank deeply from a water glass, parched after the set. “Alright, boys, see you in twenty,” Tommy said, bandleader and boss. He laid his trombone on his chair. The orchestra wiped down their instruments, put them carefully in their cases before seeing about a refreshment or two. I ordered a drink from a cute waitress who batted her eyes at me and asked for my autograph. I obliged. I was never one to turn away a fan, never would be. Whiskey in hand, I skirted the room, saying hello to those I knew and to anyone important, but really wasn’t I the most important person here? They’d all come to hear me sing, after all. I’d taken Tommy…

In the years after World War I, cataclysmic changes in society were shifting traditional roles and expectations, with women demanding more independence and a greater say in determining their own futures.  This month’s selection of titles illuminates the unfolding of these changes through the lives of several determined women, both wholly fictional and fictionalized. In AT SUMMER’S END by Courtney Ellis, after winning a British Royal Legion art contest, painter Alberta Preston is determined to pursue an artistic career, despite her family who tries to push her into a conventional life of marriage and family.  When she receives an invitation from Julian Napier, Earl of Wakeford, to spend the summer painting at the family’s country home, Castle Braemore, she sees this as her chance to prove she can become a successful professional artist despite her gender. But the Great War has wrought serious changes upon the Napier family and their ancestral estate is near bankruptcy.  Disfigured by battle wounds, suffering from traumatic stress, the earl remains in his rooms, seeing no one but his widowed older sister Gwen.  Bertie makes alliances with Julian’s younger brother Roland, who actually runs the estate, his sister Cece, and gradually is able to work…

The traditional character associated with the month of January was Janus, the Roman god portrayed as two heads looking in opposite directions, one forward and one back.  Often the New Year is a time of appraisal of what has worked—or not worked—in the year gone by as we set new goals for the year ahead. The theme of past events reinterpreted in the light of the present is a trope popularized by novelist Kate Morton and other best-selling authors.  So for this month that traditionally draws upon the past to make reflections about present and future, we’ll look at several works of historical fiction that pinball back and forth between the current day and significant events in the past. Perhaps because the dangers and privations of war create drama and reorder all of life’s priorities, the “then” portion of all these stories takes place in either the World War I or II era. We begin with LAST CHRISTMAS IN PARIS by Hazel Gaynor and Heather Webb.  The novel is written as a series of letters, beginning in October 1914 and continuing throughout the war, between Evie Elliott, her brother Will, and his best friend Thomas Harding, interspersed with chapters featuring…

With Paris Fashion Week beginning September 24, lovers of style and all things French turn their eyes to the City of Lights. In addition to producing iconic clothing, France’s twists, turns and sometime abrupt societal changes—from monarchy to revolution to empire–have long inspired historical novelists. Moving chronologically, we start with MADAME TUSSAUD: A NOVEL by best-selling author Michelle Moran. Trained by a Swiss doctor she calls her uncle, Marie Grosholtz becomes a skilled artist in the sculpting of wax and an astute businesswoman who helps run the family firm, Salon de Cire, which displays wax portraits and tableaux of the foremost personalities in France. Although her family’s home is a meeting place for budding revolutionaries like Desmoulins, Marat and Robespierre, when the royal family, impressed by her artistry, invites her to become a tutor to Princess Elizabeth, she cannot refuse. But as she gets to know her student, the king, and the queen better, she finds herself balancing a fine line between sympathy for her royal employers and the increasingly strident demands of the reformers. And when reform becomes the madness of the Reign of Terror, she must put pragmatism before loyalty and do what is necessary to insure that…