Last year Steeple Hill released HOMECOMING, my first western historical with an inspirational theme. The story is set in a fictional Texas frontier town named Glory and I found myself so involved in the characters and the setting that I wrote a second book, THE ACCIDENTAL LAWMAN, set in the same town. The hero and heroine from HOMECOMING make cameo appearances, so readers who missed that book might want to order it as well when shopping for THE ACCIDENTAL LAWMAN. (Okay, enough of the shameless self promotion–for now.) Though I’m known for the emotion and characterization in my books, there is always a touch of humor that sneaks in, too. In THE ACCIDENTAL LAWMAN, humor comes to play in the opening scene, an accident that propels an unassuming writer with the dream of publishing his own newspaper into the unlikely position of the first sheriff of Glory. Hank Larson has moved to Texas to escape his old life, one that continually reminds him of his late wife. He’s spent his entire savings on a printing press to enable his dream and is all set to launch “The Glory Gazette.” He’ll be editor, writer, and publisher. The problem? There is no…

I’ve got a confession to make. The heroes in my romances are usually a prototype of my husband in some way, shape or form. After all, he’s the man I know best and I married him because I obviously find him hero-material. Combining him with a little Han Solo, I had in my opinion a wonderful male. But after many books, I began to think I needed a new prototype. Someone was bound to start noticing that my hot, yummy heroes were all a little alike. So, I started the search for another hero archetype. He had to be handsome, smart, witty and the number one requirement was that even if he wasn’t perfect (in fact, I was looking for slightly flawed), he needed to be okay with not being perfect. I like heroes who feel great in their own skins. I looked and looked and couldn’t find anyone. Months rolled by. I began to despair. Even the issue of People magazine’s yearly Best Looking People provided no new fodder. The men all looked too handsome, too delicate, so perfect as to be uninteresting. Then I saw him. I was meeting my old work buddies (think a table full of…

I wrote my first book when I was nine, the story of an unwanted teddy bear that found a new and loving home. Poor teddy! I guess even at the age of nine was a little dark, LOL! Years later, I tried my hand at romantic comedy (an abysmal failure). My next attempt was at a lighthearted, fun historical, the kind I loved to read. Only problem was, no matter how hard I tried, I just wasn’t funny. Everything that flowed from my imagination was creepy and dark and moody. So what is it with me and dark books? Whether I’m writing historical gothics or sexy, contemporary paranormals as Eve Silver, or speculative romance as Eve Kenin, everything I write is dark, dark, dark (with the occasional quirky humor thrown in). What is it about a dark, tortured hero that is so appealing? And why does the heroine love him when he’s so hard to love? In my historical gothics (DARK PRINCE, HIS DARK KISS, DARK DESIRES), the heroes are secretive and a little sinister. Terrible things have happened to them, and they’ve done terrible things in turn. Yet, the tortured hero captures the love of the heroine and the…