Perfect people are boring. Also, kind of annoying. I’ll admit to occasionally pretending perfection but the ruse never lasts long. I don’t enjoy reading about perfect characters and I don’t really enjoy writing them either. Real people are flawed, sometimes hopelessly so. Characters in books need to have flaws too. Human foibles bring book characters to life. Visible “flaws” are limited by the eye of the beholder. I found The Emotional Wound Thesaurus (Angela Ackerman & Becca Puglisi) to be an invaluable resource for writing flawed characters. Emotional wounds and internal flaws are the salt & pepper of romance authors. Sprinkle that stuff liberally or risk a bland story. In my historical romance series, What Happens in the Ballroom, I purposely gave my characters a little more emotional baggage than they could successfully bear. And then I poked them with a sharp stick before writing their happily-ever-after. For book 2 of the series, ABOUT AN EARL, Oliver Chalford, the new Earl of Winchcombe, has scars he can hide and one he cannot. Unable to erase his physical scar, he struggles with the scars within that threaten to destroy his chance at happiness.  The son of an abusive alcoholic, Oliver wishes…