Fresh FIction Box Not To Miss
Vanessa Riley | Listening to Your Voice
Author Guest / August 16, 2019

Last fall, the leaves started turning gold and brilliant red. The birds sang as they migrated South, and I was forty-thousand words into creating, The Bewildered Bride. Everything was wonderful. Peace and love seemed to be everywhere. Then, the words stopped.   Nothing. Not a jot. Not even an extended ellipse.   I’m not one to panic, but for a writer to have their characters who had been happily chatting with you to go silent—that’s a Danger-Danger-Will-Robinson moment.   After a long sigh, several hazelnut lattes, prayer, and begging my muse, I closed up my laptop. I shut my eyes and listened. My heroine of The Bewildered Bride, Ruth Croome Wilke, had something to say, and it wasn’t the story on the page.   Her voice, I had suppressed. I’d convinced myself it didn’t matter. She would be happy in the end. When her story became tough and gutting, I stopped listening to her.   I didn’t want to face her truth. I wanted her to bottle up her pain.   I was hypocrite, and why would someone who’s been through so much want to waste her energy on someone who discounted the power of her voice.   Ruth had been…

Vanessa Riley | The Desire to Be Perfect
Author Guest / October 24, 2018

I read a tweet this week that went something like this: “Meghan and Harry have met, fallen in love, married, and are now having a baby in under three years, and I haven’t put up the fallen towel rack in my bathroom.” Life is hard and comparing our self to others is a difficult exercise, often ending in futility. In The Butterfly Bride, I was able to explore the quest of trying to be perfect in the most unlikely vessels, Frederica Burghley. Frederica is the illegitimate daughter of the Duke of Simone. In the Regency, this was a scandalous pedigree but depending on how the duke acknowledges his daughter, she would not necessarily be rejected. But Frederica’s situation is worst. She is the love child of the duke and his courtesan, a black woman he setup as his exclusive mistress. Alas, 1820 was not 2018. In that year of our Lord, you can imagine the rejections, Frederica faces as she struggles for acceptance. Classism, racism, sexism, and ignorance are slights she endures. She does so not with grievances but from the perspective of being one of the lucky ones. For now, she’s escaped following in her mother’s footsteps of becoming a…