Fresh FIction Box Not To Miss
K. Eason | HOW THE MULTIVERSE GOT ITS REVENGE
Author Guest / October 22, 2020

THE THORNE CHRONICLES started out on a hot strip of the 405 in traffic, where heat-induced frustration made me blurt out, “I want to write a feminist Sleeping Beauty story with a mohawked punk 13th fairy! In a spiked leather jacket! And what if she gives the princess a bullshit detector?” It’s fair to observe that I was already planning to break a few genre conventions. There are punk fairies in a pre-industrial, pseudo-European medieval setting. Also, there is…okay, no, there is a lot of bullshit in that setting, and in fairytales in general, but that made me think about Princess Leia’s no-bullshit attitude in, well, all the films. Which pretty much settled me on the setting. Fiction set in space (space opera, SF, however one decides to parse out the definitions) deals with tech that looks like magic to most people anyway (FTL, wormholes, jump-gates, laser-beams, sentient machines, cybernetics). Also, aliens! Which at their heart, is what fairies are. As my fairies became xenos, and once upon a time started on a distant planet, I soon realized the difficulty would be to preserve the feel of the fairy tale. I needed magic (even if no one says oh, this…