Ready to dash back to the Victorian Era and uncover who-done-it at a perfectly ghastly country party? Then sit back and enjoy our Q&A with Maia Chance, author of the Fairy Tale Fatal Mysteries. Her heroine Miss Ophelia Flax is in quite a fix–ready to unload one boorish fiancé and saddled with guests from, well, you know where until one shows up dead and mauled.
Describe BEAUTY, BEAST, AND BELLADONNA in 140 characters or less.
BEAUTY, BEAST, AND BELLADONNA is a fun, adventurous, and romantic historical mystery set in a secret-riddled French chateau in 1867.
What is your idea of perfect happiness?
Happiness for me is spending time outside somewhere beautiful, with my husband, kids, and dog.
What’s your favorite part of Ophelia’s quirky personality?
I like the way Ophelia compensates in creative and gutsy ways for her lack of a good formal education. She’s smart and resourceful and she uses her unusual skill set—farm girl, circus performer, actress—to help solve the mystery.
Which living person do you most admire?
My husband, actually. He is an unusually gifted person who overcame significant disadvantages and obstacles to get where he is today. And he gives the best pep-talks!
What inspired you to marry fairytales and mystery?
I was searching for something that hadn’t been done yet, and I was reading a lot of fairy tale criticism for school at the time. It sounded like a deliciously fun project, so I plunged in.
Is there a type of scene that’s harder for you to write than others? Love? Action? Racy?
Dialogue definitely comes more easily for me. I find action scenes more challenging—I’m paranoid that they’ll get bogged down. (So if I can, I add dialogue to my action scenes!)
What do you consider the most overrated virtue?
Sticking to strict schedules. I don’t like to keep people waiting, but there is something to be said for giving yourself creative or restful wiggle-room during the day.
Which of the characters in this novel do you feel the most drawn to?
I became more attached to Professor Penrose in this book. He’s more vulnerable and at a loss than in the previous two books—and more deeply in love.
Which words or phrases do you most overuse?
Oh, my. Probably dozens. I seem to like “buzz” a lot for some reason. I’m deleting it all the time.
Can you describe for us your process for naming characters?
For historical American characters I use census records. I collect names from cemeteries whenever I visit one, and I often borrow names from literature. Since my books have lots of characters, I try to give them all distinctive names that hint at their personalities, to help the reader keep everyone sorted in their mind.
Who are your favorite writers?
Agatha Christie, P.G. Wodehouse, Edith Wharton and Theodor Adorno.
Who is your most loved hero of fiction?
Which talent would you most like to have?
It would be ecstasy to be a really, really great opera singer.
You’re hosting a dinner party, which five authors (dead or alive) would you invite?
G. Wodehouse would probably be the life of any party. Also, Agatha Christie, Edgar Allan Poe, Shakespeare, and F. Scott Fitzgerald. There would be lots of drinking at this party. Maybe some arguments. No strip poker though.
Do you have a favorite time period in literature?
Not really. Because of my English degrees I have read very widely, and I have favorites from every era. And every era has its stultifying boring authors, too.
What is your motto?
What is the best reaction over a book that you’ve ever gotten from a fan?
Fans who say my book gave them pure pleasure—that’s happened a few times—make me so happy. It’s my aim to give people something to read that’s a pleasurable and absorbing diversion from Real Life. Real Life is hard.
Where would you most like to live?
A place with lots of trees where I could do all my daily activities and errands on foot. I’m working on it.
Which historical figure do you most identify with?
No one specific, but I often think of the female writers over the centuries who kept at their stories even when they had screaming kids and the dinner to cook and a really messy house piling up around them. They did it, and so can I.
What are you working on next?
I just completed a humorous contemporary mystery that does not yet have a publisher, and I’m working on a historical fantasy adventure with a co-author. After that, the next thing will be book #3 of the Discreet Retrieval Agency series.
About Maia Chance
Maia Chance writes historical mystery novels that are rife with absurd predicaments and romantic adventure. She is the author of the Fairy Tale Fatal series (SNOW WHITE RED-HANDED, CINDERELLA SIX FEET UNDER, BEAUTY BEAST AND BELLADONNA) and the 1920’s New York-set Discreet Retrieval Agency series (COME HELL OR HIGHBALL).
2016 titles include Discreet Retrieval Agency #2, TEETOTALED. Maia lives in Bellingham, WA, where she shakes a killer martini, grows a mean radish, and bakes mocha bundts to die for.
Variety hall actress Ophelia Flax knows how to win over an audience. That’s why she’s accepted the marriage proposal of the brutish Comte de Griffe to nettle her occasional investigative partner—and romantic sparring partner—the pompous if dashing Professor Penrose.
But with his boorish table manners, wild mane of hair, and habit of prowling away the wee hours, the comte has shredded Ophelia’s last nerve. She intends to disengage from her feral fiancé at his winter hunting party—until Penrose, his lovely new fiancée, and a stagecoach of stranded travelers arrive at the comte’s sprawling château. Soon she can’t tell the boars from the bores.
When one of the guests is found clawed and bloody in the orangerie, Ophelia is determined to solve the murder before everyone starts believing the local version of Beauty and the Beast. But until the snows melt, she can’t trust her eyes—or her heart—since even the most civilized people hold beastly secrets…