Like the main character in Safe House, I moved to Cornwall on the south-western coast of England recently. Only I wasn’t running away from my past, or starting over again with a new identity. And, as far as I know, no-one is after me to make me pay for past misdemeanours! I’ve always been devoted to Cornwall, having been on holidays here when I was a child to quaintly named villages such as Mousehole, and explored the ruins of Tintagel Castle imagining myself an Arthurian Knight. One of my all-time favourite books is based here too–Rebecca by Daphne Du Maurier. The new adaptation is soon to be released by Netflix and I wonder whether people’s interest in books based here will increase. I hope more people will fall in love with Cornwall, just as I have. If you’ve got a hankering to read more Cornish novels after Rebecca and SAFE HOUSE, here are five of the best. 1-Jumping straight in with the best non-fiction book I’ve ever read. The Salt Path by Raynor Winn. Raynor and her terminally ill husband walked the entire South West coastal path after losing their home and being left almost penniless. Not just Cornwall but…

I’m very excited to be here on Fresh Fiction today to celebrate the release of A PROTECTOR IN THE HIGHLANDS! This book is the second in my Highland Roses School series about two sisters who journey into Scotland to start a school for ladies in the 1690s. The theme around the series centers on empowering women at a time when they were often treated as inferior. Women were left out of inheritances, business dealings, education, and decision making. Their purpose in life was to bear children and manage the home. And if a woman found herself in a domestic abuse situation or attacked, she was often blamed with no way out. When researching for my series, I read a wonderful book about two sisters living in the mid-1600s in England (A Court Lady and A Country Wife by Lita-Rose Betcherman). One sister birthed several children and managed her home mostly in the country while the other one became an influential woman at court. Both ladies were considered a success in their circles, although they had many limitations placed upon them because of their sex. Even though the court lady was a friend to the queen of England, she still had…

This week my friend Yvonne has been visiting from England. One of the things that we try to accomplish when she visits is to see how many bookstores we can peruse in the Dallas area. Often while we are in the bookstore Yvonne’s cell phone will ring, and it will be another friend of ours from Hawaii.The conversation almost always starts with what book are you looking at? Does it look good? Oh, I think I might want a copy of it too. Yvonne being the generous sort is always willing to contribute to someone else’s tbr pile, so we add book upon book to the basket we’re toting, and eventually try to head to the checkout stand. So last spring Yvonne is in Dallas visiting, and the phone call comes. This time it’s slightly different. I’d like a book that I think is red, it might have heart in the title and might have been written by someone named Kane, or is it Cain, is that a first or last name? She had no clue! How in the world did she expect us to find this book? Well, Yvonne is nothing if not determined, and I’m not far behind…

As a writer of historical fiction, I am frequently asked about research. Specifically, readers—and aspiring writers—want to know if it is necessary for me to visit the sites I write about. On this point I always give a firm and unequivocal yes. And no. Contradictory, I know, but hear me out. Developing a historical novel means creating a dual setting; it means creating a specific time and place for your reader to inhabit. They are a tourist in your world, and you must give them a guidebook of essential details to help them get around. In order to do that, you have to know the neighborhood at least as well as they do—and preferably better! In preparation for writing Silent in the Grave, I traveled to England. (Technically, I tagged along on a school trip as a chaperone—a maneuver I only recommend to the truly desperate or masochistic.) I had planned that Grave would be a Regency effort, light and sparkling and frothy as a syllabub with just a spot of murder to spice the pot. But once I began writing, I realized the book needed Victorian London, a city of foggy streets, shadowed by industry and populated by Jack…