Miranda Owen: As soon as I read the description for THE MURDER OF MR. WICKHAM, I was immediately intrigued. I love Jane Austen, and I love mysteries. What inspired you to write this book?    Claudia Gray: Make no mistake – I am a huge PD James fan – but when I first read Death Comes to Pemberley a decade ago, I couldn’t imagine why she cast Denny as the victim. Has anyone ever worried about what happened to Denny? Wickham was right there, being awful, surrounded by people who had very strong motives to loathe the guy. Eventually I decided, maybe I should stop wishing this very good book would be something it isn’t. If I think some novelist should kill off Mr. Wickham, then I’m going to do it myself.    MO: I love the idea of playing around with characters from a classic novel and putting them in different circumstances and mixing characters from different works by the same author. Is this something you’d do again with a different author? Like Charles Dickens? Do you think you stayed true to the essence of the characters while giving them a new spin?    CG: My hope is that…

WHEN BLOOD LIES is the 17th in your Sebastian St. Cyr series. What keeps this character inspiring for you? Sebastian St. Cyr is such a complex, dynamic character: he’s clever and passionate and honorable, although he’s also willing to step over a few lines when necessary. I find that if I’m away from Sebastian and Hero and the others for too long, I miss them and get impatient to start the next book. A part of that is probably because there is an important personal story arc that runs through this series, plus several overarching mysteries that make this series unusual, and I suspect help keep it fresh for me. Before I started the series I had only written standalones. It’s fascinating for me as an author to be given the opportunity to follow a set of characters through years of their lives, exploring the ways they grow and change because of various life events and experiences. And of course, the period is fascinating. We tend to think of the Regency in terms of balls and carriages and duels at dawn, but there was so much more to it than that. This was the age of Napoleon and Goethe, Byron…

How much historical research is involved with your books? It depends on each book. Sometimes the particular subject matter or slice of historical time in which the book is set requires a great deal of research, and sometimes it’s not quite so intensive. And of course, that is on top of the vast amount of background research about all the particulars of the time period and my characters’ backgrounds that I conducted before ever beginning to write the series. Plus, I’m often reading general and social histories during my free time, simply trying to always be increasing my knowledge and search out interesting plot ideas.   In A PERILOUS PERSPECTIVE there is a forgery and a murder. Do you normally have different criminal elements along with murder? Sometimes. Though, not always. I was inspired to explore the art forgery aspect for this book because Lady Darby is a gifted portrait artist, and I hadn’t utilized that trait fully with any of my recent plots. It was an absolutely fascinating subject to research, and then try to figure out how much my heroine could have feasibly known and been able to detect in 1832 versus all the tools we now have…

Your novel, THE UNQUIET DEAD, is set during the Gilded Age. What is it about that time period that has inspired you? Will you write novels set in other time periods? When I first decided to write A DEADLY FORTUNE, the first book in the Amelia Matthew series (THE UNQUIET DEAD being the second), there was never any question but that I would set it in the Gilded Age. The Victorian/Gilded Age is far and away my favorite time period to read, so it made sense that I gravitated there for writing as well. I think there’s something so evocative about that time period. It’s far enough in the past to feel somewhat exotic, but it’s also comfortably modern in a lot of ways. The people and their motivations feel recognizable to readers. I have ideas for novels set in other time periods, so I’m sure I’ll get around to them eventually. I have part of a WWII book drafted, and a few notes for a book set in the Civil War-era western US.   I love stories with paranormal elements, or about different types of extrasensory perception. What made you decide to give your female protagonist the ability to…

Is Ella Shane based on any historical figure? Having the story set in 1900, did you do any research on the time period? Are you a history buff? I like to describe Ella as part Beverly Sills, part Anne of Green Gables and part Errol Flynn. She’s brilliantly talented yet approachable like Sills, an orphan made good like Anne, and a swashbuckler like Flynn. Probably the closest real-life figure to Ella is Lillian Russell, a singer and actress who owned her own theatre company in the late 19th century. BUT — she didn’t play trouser roles, and Miss Russell’s personal life (four marriages and a very public affair with Diamond Jim Brady!) was the exact opposite of respectable Ella’s. I’ve been a history buff since I learned to read, and the Victorian Era is one of my favorite periods. When I started working on the series, it was tremendously fun to research the details – and the outfits! In A FATAL OVERTURE, Ella Shane’s love interest is described as “long-distance love, Gil Saint Aubyn”. Does Ella have support from friends, family, or friendly investigators to be part of her “Scooby gang” as she plays the role of amateur sleuth? Absolutely!…

What can you tell me about your new historical mystery THE DEBUTANTE’S CODE? THE DEBUTANTE’S CODE is the first book in a new mystery series that stars Lady Juliette Thorndike, an aristocrat, and Mr. Daniel Swann, a Bow Street Magistrate’s Court detective. Lady Juliette, newly returned from finishing school is eager to be reunited with her parents and begin her debut season in London Society, but upon her arrival finds her parents are missing. Lady Juliette uncovers the truth about her parents, a family secret they’ve been hiding for generations, and she determines to carry on their legacy. In addition to her parents going missing, artwork and valuables are also disappearing from the homes of the Beau Monde. As Juliette embarks on her new life, she must keep her secrets from the dashing Detective Swann, who is growing ever closer to discovering who is stealing the artwork, and who the Thorndike family really is. From the book’s description, it seems like there might be a hint of romance in this book. Do you try and have a balance of mystery and romance? In THE DEBUTANTE’S CODE, there is more mystery than romance, as the characters from this book will feature…

The days when you could walk out of the Louvre with the Mona Lisa under your arm are over. There are all sorts of safeguards now—electric eyes, pressure sensors, lasers, which in the movies at least, must usually be overcome by dangling the thieves from the ceiling. I love art-heist stories. They always pose a question: what’s real and what’s fake? What’s the difference between an original and a copy? They also sketch out over the years not only a change in technology but a change in ethics. Here are five of my favorites. How to Steal a Million–1966 We start with the soufflé, extremely light, and, as you would expect of any film starring Peter O’Toole and Audrey Hepburn. It just oozes charm. Surprisingly, under its candy coating, it also oozes authenticity. The forger(Hugh Griffiths, Hepburn’s papa) has made certain to dig up authentic dirt from Arles to add to his Van Gogh forgery. And it takes only a chip of paint from said forgery undergoing chemical analysis to prove it’s a fake. And it’s the forger’s hubris that places him in danger, which is often the case in real life, where it’s the risk of being discovered that…

“Sacked?” Witherspoon repeated. “And your family has no idea you no longer have a job?” Percy nodded. “That’s correct. I wouldn’t have said anything about the matter except you’re going to speak to my former employer. I know this makes me look very bad, but I assure you, I’ve nothing to do with my stepmother’s murder. I simply don’t like working. Well, that wasn’t the exact situation. It was more a case that my employer didn’t appreciate the hours I wanted to keep. Apparently, they expect you to be there from early in the morning until half past five or even six o’clock in the evening.” Surprised, Witherspoon simply stared at the man. It took him a good thirty seconds to recover and ask another question. “When were you sacked?” “At the end of September.” “You’ve been pretending to have a job since the end of September?” Witherspoon pressed. He wanted to understand, to ask how on earth anyone could possibly keep up such a tiring charade? But other than satisfying his own curiosity, the man’s employment situation probably had very little to do with Mrs. Andover’s murder. On the other hand, from what he’d learned of the dead woman,…

1–What is the title of your latest release? MISS MORIARTY, I PRESUME? 2–What is it about? This is book 6 in the Lady Sherlock series and Moriarty at last makes his grand appearance. A most unexpected client shows up at Charlotte Holmes’s doorstep: Moriarty himself. Moriarty fears that tragedy has befallen his daughter and wants Charlotte to find out the truth.  Charlotte and Mrs. Watson travel to a remote community of occult practitioners where Moriarty’s daughter was last seen, a place full of lies and liars. Meanwhile, Charlotte’s sister Livia tries to make sense of a mysterious message from her beau Mr. Marbleton. And Charlotte’s longtime friend and ally Lord Ingram at last turns his seductive prowess on Charlotte—or is it the other way around? But the more secrets Charlotte unravels about Miss Moriarty’s disappearance, the more she wonders why Moriarty has entrusted this delicate matter to her of all people. Is it merely to test Charlotte’s skills as an investigator, or has the man of shadows trapped her in a nest of vipers? 3–What do you love about the setting of your book?  One of the great loves of my life is the Southwest Coast Path in England, 630…

Danielle Jackson: Welcome to Fresh Fiction, Rhys! We are so happy to have you here to chat about your long-running series, Royal Spyness. What are some of your favorite things about writing about Lady Georgiana and all of the mysteries she gets involved in?   Rhys Bowen:  I have become so fond of these characters, it’s rather like going back to a high school reunion and reconnecting with old friends. And who wouldn’t want the chance to spend time with the royal family and eccentric aristocrats? The newest book, GOD REST YE, ROYAL GENTLEMEN, is a holiday mystery novel! Did you do anything fun to get in the mood while writing a Christmas novel? Were there any unforeseen challenges writing a mystery with some added holiday cheer?  I was actually writing this last October to December so it was a good time of year as the stores already had all their Christmas items. Also, I usually spend my winters in Arizona where it isn’t cold and Christmassy. Because of Covid, I stayed home in California so there were cold winds and occasional rain. It would have been harder to write it in July. The big challenge about writing a holiday mystery…