No, I don’t write vampire novels, but I do write both contemporary and historical fiction. For the last ten years of my twenty-five-year writing career, I have written one romantic suspense novel and then one historical novel—back and forth. I have a writer’s split personality since it takes different skills and research techniques to do both. I love reading and writing in two genres and in two times, but it does have its challenges as well as its rewards. For my contemporary romantic suspense novels, I can visit the settings for my story and interview people who live there or have the same careers as my hero and heroine. For THE HIDING PLACE (Nov. 2008), I spent a week in the Rocky Mountains outside Denver. I was able to interview men with dogs trained as trackers. I took two classes to learn about how my female P.I. would work, one class from a tracer who looks for lost people, and one from a female private investigator. When I write my Elizabethan novels (most recently, THE LAST BOLEYN and MISTRESS SHAKESPEARE), I can, at least, still visit my settings. Nothing like a research trip to England! The Tower of London, Hampton…

Charlemagne is a historical figure you don’t see a lot of in thrillers. Katherine Neville is the only writer I can recall who’s made good use of him. But he’s fascinating. He ruled for 47 years, and lived to be 74, at a time when kings rarely reigned more than 5 years, and people died long before age 40. He unified a continent, laid the groundwork for the formation, centuries later, of a modern Europe, and many of his policies and practices became proven models for western civilization. He was a visionary who surrounded himself with smart people and, for the first time, placed the needs of his subjects before royal ambition. He was so progressive that it begs the question—did he have help? Was he privy to special knowledge? Both questions spurred my imagination. Within The Charlemagne Pursuit I utilized an actual artifact known as the Voynich Manuscript. It’s preserved in the Beinecke Rare Book and Manuscript Library at Yale University . Supposedly created sometime in the 15th or 16th centuries, its folios are penned in a language that no one has ever been able to decipher. In addition, there are a multitude of colorful, odd drawings. By general…

And it has always been that way. Not because we are doing anything stressful. What can be stressful about seeing family and friends? Okay, let me rephrase that—what can be stressful about seeing friends? The truth of the matter is that it isn’t a bad thing to try and do too much. It isn’t bad to push ourselves a bit or do a little extra. These shorter days beg for us to do something especially cheerful. But what is bad to not take our time and enjoy the doing of it. One of the ways I de-stress is with books. Hey, books are the best entertainment bang for under twenty dollars—many times less than five. If you go to your library, they are free. Reading helps you keep real worries and fears in perspective or gives you insights into other people’s lives that you can apply to your own, even in fiction. Perhaps I should say most always in fiction. I always feel revitalized after spending time with characters I love. Plus, I’m one of those read-at-bedtime people. It’s “me” time at the end of a long day. Right now, I’m helping Sid Halley solve a murder in a Dick…

And I’m still full from my turkey induced coma of last week, have done no shopping and don’t plan to. What am I going to do this holiday season? Read. And read some more. Funny thing that. Thanksgiving night I was going a bit stir crazy wanting a good book. One with a hot alpha, who had hot alpha friends, and who meet up with a heroine who was like no other woman any of them had ever encountered. I was stumped because this story also had to have mad passion, conflict and angst. I looked over my to-be-read pile and still could not quite find what I was looking for. Then I looked down at the box that had arrived from my publisher Simon and Schuster the day before. I knew what was in it, and I smiled. There in that box was a true love story that still haunts me almost 8 months after I wrote it: MASTER OR TORMENT, book two in my Blood Sword Legacy series. This story is of Sir Wulfson and Lady Tarian Godwinson. It is without exception a story of my heart and soul, and it transcended the pages. Reviewers love this story,…

Thanks for inviting me to blog! My name is Sara Bennett and I write historical romance for Avon. I have to confess that I tend to write books that have a lot of angst in them. I try not to. I tell myself that I’ll lighten up, write one of those bubbly, sunny books. But no matter how I try the angst creeps in. Before I know it the hero has suffered some terrible trauma or the heroine is struggling with the memory of a miserable childhood. For some reason my creative voice tends to dwell on the darkside. My November book is called Her Secret Lover, and is the final in my series of Aphrodite books. Aphrodite is an infamous courtesan living in Victorian London, and she has lots of angst in her life. The first three books (Lessons in Seduction, Rules of Passion and Mistress of Scandal) told the stories of Aphrodite’s three daughters and some of the issues covered are, well, dark. The next book (A Seduction in Scarlet) deals with widowhood, the expectations of others, assassination attempts . . . yes, there are some angsty subjects in this one as well. Now I’m saying goodbye to…

I’ve been lucky in writing. I’ve been in the game 20 years with twenty seven books on the shelf with my name on them. I’ve had a wonderful time, lots of fun, many dear friends and only a few bumps along the road. My brother says we have Irish Luck in our family. He knew it the month after he came home from Viet Nam wounded. Someone said to him, “Man, are you lucky. You were hit bad enough to send you home but not so bad that you won’t recover.” My brother’s one thought was that if he’d been lucky, he wouldn’t have been hit at all. Sometimes I feel the same way about my writing career. Man, am I lucky. Lucky it only took me four or five years to find an editor. Longer to find an agent. Lucky I picked a field, Historical Romance, about the time it died. Lucky my wonderful editor kept getting pregnant and finally quit. But, remember, I have Irish luck. In all those years of waiting I kept writing so when I did sell, I sold five books in 15 months. Lucky I picked Historical Romance and stayed in until finally as…

Thanks to Fresh Fiction for inviting me to guest blog today. November isn’t usually the prettiest month here in the Midwest, but it’s still a favorite of mine. I’ve always loved the Thanksgiving holiday and our first child was born in November. Although our daughter’s original due date was November 13, as babies will, she came a little later. Even with little sleep and the extra pounds I could have done without, we put our firstborn at the top of our “thankful for” list that Thanksgiving. And there she’s remained, joined by her younger sister and down the road, their husbands and our four grandchildren. Family means a great deal to me. Perhaps that’s why I was fascinated the first time I heard about the orphan train and decided to use this slice of history in a book. Before writing my novel, I researched the orphan train phenomena. Between the years of 1853-1929, over 250,000 children were sent by train to new homes in the Midwest and beyond. The idea to place out orphans originated with Methodist minister Charles Loring Brace, founder of The Children’s Aid Society. At the time Brace came up with the plan, immigrants were pouring into…

As I write each novel in The Lords of Satyr series, I always have an idea of what the hero looks like in my head. And pinned on my wall. Since my pin-up guys are cut from magazines, they’re usually actors, musicians, models–someone I consider lustworthy. He has to have the right hair, eyes, and muscles. But most importantly, my pin-up guy(s) must capture the mood of my hero. It’s the mood that inspires me and reminds me who my guy is, inside and out, lest I forget over the months it takes me to write a novel. For The Lords of Satyr series, which is historical paranormal erotic romance, I found at least some of my inspiration in a single statue I saw on a trip to Europe a few years ago. I was writing about half-satyr half-human males. Imagine how thrilled I was when I stumbled on this life-size statue of a satyr male in the Louvre! I took so many photos of it, I’m pretty sure I worried the hovering guard. I explained to her that I was writing romances about satyr brothers in Tuscany and showed her bookmarks. She was intrigued—or maybe that was bafflement I…

My son had this past Friday off from school. Imagine me, standing before the calendar and thinking to myself, “Only two weeks into school and already the teachers are shipping them home?” Haven’t they a care for my poor nerves? to quote the always quotable Mrs. Bennett. And since it was only the littlest hero and me at home, we decided to bake cookies. He loves the measuring and the mixing, and we all love cookies, so it’s a win all over the house. The first step was the debate over what sort of cookies to make: Chocolate chip? No, Nick doesn’t like those. Sugar cookies? No, not Dad’s favorite. Quite frankly, I’ve never met a cookie I’d turn down, but go figure that my house of men are picky about such simple things. We finally settled upon an old favorite recipe for gingersnaps, which everyone in the house loves but then we had to make sure we had all the ingredients. And it was about then, as I was hunting around the cupboard for molasses, that I realized how much baking cookies for one’s family is like writing romance novels for your fans. I smiled as I pulled out…

As a writer of historical fiction, I am frequently asked about research. Specifically, readers—and aspiring writers—want to know if it is necessary for me to visit the sites I write about. On this point I always give a firm and unequivocal yes. And no. Contradictory, I know, but hear me out. Developing a historical novel means creating a dual setting; it means creating a specific time and place for your reader to inhabit. They are a tourist in your world, and you must give them a guidebook of essential details to help them get around. In order to do that, you have to know the neighborhood at least as well as they do—and preferably better! In preparation for writing Silent in the Grave, I traveled to England. (Technically, I tagged along on a school trip as a chaperone—a maneuver I only recommend to the truly desperate or masochistic.) I had planned that Grave would be a Regency effort, light and sparkling and frothy as a syllabub with just a spot of murder to spice the pot. But once I began writing, I realized the book needed Victorian London, a city of foggy streets, shadowed by industry and populated by Jack…