What is it about the topic of sisters that causes so much controversy? My new Regency-set historical, Mastering The Marquess, is partly a story about a pair of sisters, and the life-threatening situation they confront together. Meredith, my heroine, will do anything to keep her little sister Annabel out of harm’s way—even if it means putting her own life at risk. And she does that without blaming Annabel for their predicament, or feeling resentful that she must potentially sacrifice her own chance for happiness. Meredith’s selflessness didn’t seem odd or out of character to me, likely because I have an older sister who has always been uber-protective of her siblings. She would take on a herd of charging elephants without a second thought if it meant keeping me or my brothers safe. But to my surprise, a few readers of Mastering The Marquess expressed discomfort with Meredith’s willingness to sacrifice herself for Annabel. They thought their relationship was too perfect—that real sisters fought more, and that Meredith should, at the very least, be resentful of Annabel. That took me aback since I can count the number of times I’ve fought with my sister on one hand, with a few fingers…

I didn’t set out to write series. I fell into it by accident. I was watching the movie Seven Brides for Seven Brothers with my younger son about twenty years ago. We didn’t pay much attention. He was eight and preferred trying to wrestle his father to watching a musical even though it was his idea to watch the movie together. (Since he’s never watched a musical before or since, Providence’s hand must have been at work.) After it was over, I thought that seven brothers looking for wives would make a good idea for a series, never dreaming it would turn out to be an idea for me. Sometime later, I realized I had a group of brothers in my head. I didn’t know where they’d come from or why they were there, but they were remarkably well defined. A little bemused, I asked my agent what I should do about them. She suggested that I write a proposal, let her send it out, and see that happened. Thus was born the Seven Brides series. A John Wayne movie, The Cowboys, gave me the idea for my The Cowboys series. He recruited schoolboys to help with a cattle drive….

So my May book is the third in a four book series set in Georgian England. The series is The Legend of the Four Soldiers and the book is To Beguile a Beast. The other three books are about soldiers coming home from war. But To Beguile a Beast doesn’t have a soldier hero. Sir Alistair Munroe is a civilian naturalist. The other three soldier heroes were in the British army when their regiment was decimated by the French and their Indian allies. They volunteered for the army or bought a commission, but in any case, they chose to be there. Sir Alistair just happened to be at the wrong place at the wrong time. And while the other heroines in The Legend of the Four Soldiers series are aristocratic heroines, Helen Fitzwilliam, the heroine of To Beguile a Beast is no aristocrat. Nor is she a lady. Click to read the rest and to comment on Elizabeth’s blog. Visit FreshFiction.com to learn more about books and authors.

Historical authors always write about someplace that can’t be seen or felt by their reader. For KISSES LIKE A DEVIL (just published in February 2009 by Brava), I always knew Brian, William and Viola Donovan’s second son, would find his true love in turn-of the-century Europe. But I wanted it to happen in a fictional country, not someplace well-known where I’d have to walk the straight and narrow path of rigid locations and dates set down in an almanac. No, I wanted the fun of making up a country’s map and history all on my own, just like I would for a fantasy. Yes! I decided to call it Eisengau, or “Iron Mountain” in German. Quite suitable for someplace that made topnotch guns and cannons, then sold them to the rest of the world at big time prices. Click here to read the rest of Diane’s blog. Visit FreshFiction.com to learn more about books and authors.

“The decision to become a courtesan is not to be made lightly. A woman must be willing to make her own choices . . . and pay for them.” “–from the memoirs of Mlle. Blanche La Tour Thanks for the chance to guest blog here at FreshFiction. For those of you who’ve been following my blog tour, I hope you’ll bookmark this site. FreshFiction is fabulous. When I started writing VEXING THE VISCOUNT, I wanted to play with the idea of my heroine masquerading as a courtesan. But I knew Daisy Drake wouldn’t be convincing unless she had some inside information, so I allowed her to discover the memoirs of Blanche La Tour, a French “woman of pleasure.” Which meant I needed to research the life of an 18th century courtesan. Here’s a little of what I discovered: Move over, Britney! Eat your heart out, Paris! Courtesans were the original prey of the paparazzi. These darlings of the London tabloids provided the cartoonists of their day with juicy on dits and outrageous exploits to lampoon. Top-tier ‘birds of paradise’ demanded and received generous stipends, clothing allowances, jewels, houses, a box at the opera and endless diversions from their well-placed protectors….

That’s the answer I give whenever asked the timeless question, “which is more important, character or plot?” And invariably I get a look of skeptical confusion. But to be truthful, we must recognize that not only can one not exist without the other, but that one cannot be successful without the other…a good character can not carry a book without a stirring story to breathe in. When we fall in love with a character, it is not only his or her instinctive traits that endear them to us, but their responses to the situations in which they find themselves. Quite frankly, Scarlett O’Hara (one of my favorite heroines of all time) would simply have been deemed a demanding diva if she acted the way she did under normal circumstances. If the war hadn’t broken out and if her struggle did not become one of survival for herself and her family, she would have become a character worthy of reality show depiction and abhorrence. Jeanne du Bois, the protagonist of my recent historical fiction release, THE COURTIER’S SECRET, would have been considered no more than a spoiled brat were her father not a controlling and abusive man, did she not live…

Most things in my life happen when I’m trying to do something else. I don’t even mean the big things, like planning to write a dissertation and coming out with a series of romance novels instead (ought I to get an RD for that? I like the sound of Romanciae Doctor), or the fact that if I meant to go right, I usually walk left (I find all sorts of new and interesting places that way). This happens to me in my writing, too. What I wind up writing is seldom exactly what I intended it to be. Take my first book for example, the lengthily titled Secret History of the Pink Carnation. I very firmly told my agent that what I had produced was a “traditional Regency romance”. My agent is a very kind, patient sort of person. Instead of making snorting noises, he said, very gently, “Are you sure?” I was quite sure. “Um…” he said, flipping through the mental filofax for Tactful Ways to Deal With Deluded Authors. “Are you really sure?” That’s how I found out that what I’d really written was Napoleonic-era historical fiction/ romantic suspense/ mystery/ chick lit. No can quite agree on what…

I love writing historical romance, researching the backgrounds and working out how my hero and heroine are going to resolve their dilemmas. Although the majority of my books have Regency backgrounds, I have also used the English Civil War, the Jacobite Rebellion, the building of the railways (Working Man, Society Bride) and the outcry for and against building the Crystal Palace in Victoria’s reign (A Desirable Husband). Romance can be found in the most unexpected places. For instance, the conflict between Roland, the Earl of Amerleigh and Charlotte Cartwright in The Earl and The Hoyden, just out in the UK, involves a quarrel over the ownership of a Shropshire lead mine. Click To Read More Visit FreshFiction.com to learn more about books and authors.

Trapped in the past for nearly two years, I have written four historicals in a row! I much prefer to mix in Contemporary Romantic Suspense, but contract obligations made it impossible. The good news is, when you are writing in a certain time period, you begin to get a feel for that period. Mostly, my historicals have been set in the Regency Period, but a few years ago, I got an itch to move on, and so I set The Heart Trilogy: HEART OF HONOR, HEART OF FIRE, and just released, HEART OF COURAGE, in London in the 1850’s. The books are all set around the London ladies’ gazette, Heart to Heart. I chose the period because it was a time when women were beginning to be involved in activities outside the home. They worked, they owned businesses, they were becoming more outspoken. I thought this time would give me an opportunity to explore a broader range of stories and I think it has. Currently I am immersed in The Bride’s Trilogy, books about three brothers, also set in the Victorian period. The first, ROYAL’S BRIDE, will be out next September. In the meantime, I hope you will watch for…

As an author of Regency Historicals, I love to imagine myself in Regency England. At this time of year that means imagining a Regency Christmas. The Regency (1810 – 1820) was the time period of the Napoleonic War, of literary greats such as Jane Austen and Lord Byron. Many familiar Christmas traditions–decorating Christmas trees, singing Silent Night, waiting for Santa Claus–did not emerge until the later Victorian times, but a Regency Christmas did have other traditions still celebrated today. Regency families decorated their houses with holly and ivy and evergreens of fir and pine. Mistletoe was hung and the tradition of a gentleman and lady kissing beneath it would have been part of a Regency Christmas. With each kiss the gentleman plucked a berry from the mistletoe. When the berries were gone, so were the kisses. Christmas was mainly a religious holiday during the Regency. Gifts were exchanged, church attended, and guests might be invited to Christmas dinner. At Christmas dinner a goose or turkey would be served. A Regency household would also serve a Christmas pudding that was made on Stir Up Sunday, the Sunday before Advent, and served on Christmas day. The pudding was a porridge of sugar,…